I’m not a huge fan of concept albums because they take themselves way, way too seriously, and because it’s usually the result of pretention and unchecked hubris from a musician who thinks because he can write an expressionistic song he can somehow tell a long narrative through an innately non-narrative form. But maybe concept albums are absolutely perfect for kids. (Or song cycles rather.) As they are supposed to introduce kids to music and teach them something about the world around them, an album of songs on the same subject really hammers a point home, and demonstrates connections between different things that the little one may not have noticed as of yet. I think of this as I listen to Grow by Canadian singer-songwriter Andrew Queen. It’s a playful, refreshingly non-cloying kiddie record all about food: veggies,
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Two years ago, Zhu Zhu Pets were the hottest toy of the Christmas season, the 2009 version of Tickle Me Elmo, or Cabbage Patch Kids, and, as such were so popular that they were, ironically, impossible to find. Oh, Zhu Zhu Pets are, it is my understanding, robot hamsters that make little robotic hamster sounds and they squirrel around on the floor and burrow into plastic tunnels that you can buy for them to burrow into. They’ve spawned. Satisfied with their dominance of American popular culture for a while, the Zhu Zhu Pets want more. More! This week, the Zhu Zhu Pets begin their multimedia empire in earnest. They’re going to have a float at the Macy’s Thanksgiving Day Parade. And on that float will be pop singer Savannah Outen, a YouTube star and Radio
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There’s never any shortage of cartoon characters in family entertainment, but few of them possess the unusual, undeniable appeal of Gustafer Yellowgold, the friendly, bug-eyed alien from the sun who arrived on Earth five years ago and has quickly achieved kindie rock star status. With his latest adventure, Gustafer Yellowgold’s Infinity Sock, coming out on March 1, we decided now would be the perfect time for a chat with his creator: musician and illustrator Morgan Taylor. So let’s talk about Infinity Sock. Yeah! What’s going on with it? (Laughs) One thing I’ve always enjoyed about the Gustafer records is that they’re not only mellow — as you often point out — but that they’re also gentle, which makes a big difference, I think. And I also appreciate the fact that they don’t pander musically, either
Read More »Bob Marley – B Is for Bob (Tuff Gong, 2009) purchase from Amazon A perfect blend of the utterly crass and the undeniably entertaining, Tuff Gong’s latest Bob Marley compilation stitches together a dozen previously released tracks — eight of them with subtle remixing and repurposing from Ziggy Marley — bundles them with a whole bunch of nifty bonus content, and serves them up for one more round of consumption. On the one hand, it’s label tomfoolery at its most repellent — how much Marley product do these people need to sell? — but on the other, it’s really sort of brilliant; after all, now that Legend has passed the 10 million-in-sales mark, is there a reggae fan left on Earth who doesn’t own his greatest hits? It’s time to start building new ones, which
Read More »Daddy a Go Go – Come On, Get Happy: The Best of Daddy a Go Go, Volume 1 (2009, Boyd’s Tone) purchase this album (Amazon) I had never heard of Daddy a Go Go, the kiddie-rockin’ alter ego adopted by singer/songwriter/stay-at-home-dad John Boydston, before opening the envelope that contained Come On Get Happy, but that’s just simple ignorance on my part: Boydston has released six albums of kids’ music since 1998, won multiple awards, and earned press in publications like Newsweek and the Washington Post. For lucky album number seven, Boydston has decided to collect and remaster 15 of his greatest “hits,” including “Daddy’s Diaper Blues,” “I Think I Might Be a Dog,” “Nana Nana Boo Boo,” and “Pink Floyd Saves Hugh Manatee,” a song so stupidly titled I almost threw away the CD. I’m
Read More »MeeWee: Hip-Hop for Kids (2008, MeeWee Entertainment) purchase this album (Amazon) To those of us who grew up during hip-hop’s mid-to-late ’80s golden era, the idea of a hip-hop album for kids may seem silly and unnecessary; after all, you can play a lot of those old hits without worrying about objectionable content. (My daughter, for instance, developed an intense appreciation for Heavy D at a very early age.) And then there’s this project’s name: MeeWee? Seriously? When I first heard about this album, I didn’t even want to say the title, let alone listen to the music. Here’s the good news, then: MeeWee: Hip-Hop for Kids is much better than its title. It isn’t as much fun as the hip-hop hits you remember from your younger days, but for the most part, it avoids
Read More »The Baby Grands – The Baby Grands (2008, Backspace) purchase this CD As has been discussed many times here at Dadnabbit, we no longer live in the dark old days of children’s music, when parents had slim choices for audio entertainment, and most of them involved sitting through untold hours of synth-laden arrangements and cutesy-poo lyrics. We’ve entered a more enlightened era, one in which artists who cater to kids often try to target adult tastes too — but even now, there’s a pretty stark split in kids’ music; some artists try to infuse their music with an approximation of the manic energy of youth, while others take a more thoughtful, laid back approach. Atlanta’s Baby Grands fit the latter description, and even if their press materials overplay their hand a bit — whoever came
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