Before They Might Be Giants turned crossing over to kid’s music into a viable business model, Peter Himmelman was doing it — and unlike the whimsical TMBG, Himmelman never seemed like a natural fit for a younger demographic. This isn’t to say Himmelman’s “adult” CDs are inappropriate for younger ears, but they aren’t exactly whimsical, either; in fact, they’re often harrowing self-examinations prompted by grown-up stuff like death, heartbreak, or — in the case of 1992′s absolutely devastating “Untitled” — a long ride with an anti-Semitic cab driver. So yes, Peter Himmelman may not have been the artist most likely to start a second career as a performer of children’s songs, but here’s the thing: as anyone who’s followed his artistic path is aware, he’s comfortable writing in pretty much any genre (including scoring for
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