Once Ziggy Marley picked up a Grammy for his album of children’s music, you knew it was only a matter of time before Disney joined in the junior reggae fun. Well, that time is now, and The Disney Reggae Club is here, offering 13 tracks of the songs you (mostly) know and love (mostly) from the studio’s classic films, performed by an assortment of reggae artists that includes Yellowman, Burning Spear, UB40, Sly & Robbie, and — surprise! — Ziggy Marley. Say the words “Disney” and “reggae” together and you might have to suppress the urge to vomit, but the truth is, The Disney Reggae Club isn’t bad. I was disappointed with the track listing, which strays into obvious choices (“Kiss the Girl,” “Under the Sea”) and well-known songs that aren’t really identified with Disney
Read More »Bob Marley – B Is for Bob (Tuff Gong, 2009) purchase from Amazon A perfect blend of the utterly crass and the undeniably entertaining, Tuff Gong’s latest Bob Marley compilation stitches together a dozen previously released tracks — eight of them with subtle remixing and repurposing from Ziggy Marley — bundles them with a whole bunch of nifty bonus content, and serves them up for one more round of consumption. On the one hand, it’s label tomfoolery at its most repellent — how much Marley product do these people need to sell? — but on the other, it’s really sort of brilliant; after all, now that Legend has passed the 10 million-in-sales mark, is there a reggae fan left on Earth who doesn’t own his greatest hits? It’s time to start building new ones, which
Read More »Ziggy Marley – Family Time (2009, Tuff Gong) purchase this album (Amazon) I didn’t have much use for Ziggy Marley when he was riding high (ahem) on the charts 20 years ago, with the hacky sack anthem “Tomorrow People,” and nothing I’ve heard from him since then has changed my mind — until now, that is: for his new children’s album, Family Time, Marley has pulled out all the stops, assembling an Ocean’s Eleven-style dream team including some major names both within kids’ entertainment (Elizabeth Mitchell, Jamie Lee Curtis, the dreaded Laurie Berkner) and without (Jack Johnson, Toots Hibbert, Willie Nelson, Paul Simon). The result is a wonderfully easy listen that’s a lot more cohesive than you might think, given the succession of cameos — and if you, like me, have never given Marley much
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