Author Archives: Jeff Giles

About Jeff Giles

Jeff Giles is the founder and editor-in-chief of Popdose and Dadnabbit, as well as an entertainment writer whose work can be seen at Rotten Tomatoes, Paste Magazine, and a number of other sites.

Grenadilla, "Can't Wait"

CD Review: Grenadilla, “Can’t Wait”

Grenadilla, "Can't Wait"

Like any good parent, I’ve taken thousands of snapshots of my kids, but there’s one particular picture of my daughter that always makes me smile. It captures her mid-swing on the playground, head tilted back toward the sun, with a look of absolute, unbridled, carefree joy on her face. For me, that look represents the perfect grace of the childlike spirit: the ability to uncouple from whatever worries are weighing us down and simply be happy. It’s also the best way I know how to describe Grenadilla’s music — I mean, these songs just sound like giddy motion, warm sunlight, and laughter.

Of course, when your band makes liberal use of the pennywhistle — and has been gifted with a frontwoman whose voice is as carefree-sounding as Debbie Lan’s — you’re going to make happy-sounding songs even if you’re trying to be emo. But that doesn’t take away from the addictive pleasure of Grenadilla’s music, including its newly released second album, Can’t Wait.

Produced by Dog on Fleas member (and longtime Dadnabbit hero) Dean Jones, Can’t Wait fleshes out the Grenadilla sound without tinkering with anything too much — the album adds a few new colors to the band’s sonic palette, but they’re relatively subtle; a horn section here, handclaps there. That sort of thing. The most crucial ingredients — the band’s lovely harmonies and the Capetown flavors in Lan’s arrangements — remain front and center.

Can’t Wait also delivers another solid, sprightly set of songs — 14 tracks, weighing in at a breezy 30 minutes and change, with titles like “Exactly Where I Want to Be,” “Oh Sing a Song to the Sun,” “Smiling,” and “Sunday Afternoon.” Doesn’t just reading those make you a little happier? Listening to them will finish the job.

Can’t Wait is available now from your favorite digital retailer. Listen to samples at Amazon and order your copy today.

Fairy Tales, Darkness, and the New “Snow White and the Huntsman” Trailer

I think it’s sort of a rite of parenting passage to sit down with your children and an old kiddie classic book/film, only to discover that its themes are quite a bit more grown-up than you remember.

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It’s something that you struggle with even if you approach family entertainment from an academic perspective, or if you make a point of avoiding helicopter parenting; no matter how deep your intellectual/historical understanding of the material, I think it’s hard not to shy away from exposing your kids to dark/scary/complicated themes before they’re “ready.”

I struggle with this and I hate myself for it, partly because — like a lot of parents — we’ve leaned heavily on older titles with our kids, and I figure if parents didn’t worry that The Wizard of Oz was too dark for their little ones in 1900, or that Hansel and Gretel were going to give the kids screaming nightmares in the 1800s, then why am I flinching inwardly and editing out the nasty bits in 2012?

These are the things I thought about while watching the new trailer for Snow White and the Huntsman. Not necessarily because I think this is a movie full of thought-provoking subtext, but because I’d like to believe Huntsman was sparked by a desire to take fairy tales back to their bloody, violent roots — and even if it ends up being just another crappy action/adventure flick (which, let’s face it, it probably will be), that desire is sort of noble, and something that might even signal a shift away from today’s bubble-wrapped parenting philosophy.

Uh, not that I’m advocating taking your kids to see Snow White and the Huntsman, you understand. But let’s talk about our role as cultural gatekeepers for our kids. How much do you edit stuff when you’re reading books or watching films that contain troublesome themes? How much do you trust your children to handle?

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And do you feel like we’ve gone too far when it comes to sheltering our kids from the big bad world?

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First Look at the CW’s Dark Green “Arrow”

We pretty much have to love Christopher Nolan — I think it’s the law or something — but he’s still a little bit of a butthole for giving rise to the still-growing wave of “dark and gritty” superhero projects that were unleashed following the massive success of Batman Begins. I mean, it’s still better than the aggressively hokey vibe that used to go along with anything comic-derived, but I wish Hollywood could learn to find a happy medium instead of blindly reaching into the “gritty” drawer whenever they want to make a quick buck off of a Marvel or DC property.

Oh, speaking of which, here comes the CW with its Green Arrow-inspired TV series, which is naturally titled Arrow so people don’t have to type as many characters into their DVR scheduler, and which executive producer David Nutter referred to as “darker and harder-edged” than his previous project, Smallville.

Oh boy. If you’re anywhere near my age, you remember Green Arrow as being one of the more unintentionally hilarious peripheral characters in the DC Universe — a guy with a blonde, oddly-shaped Van Dyke who had pretty good aim with a bow and quiver and liked to wear green.

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He was kind of the DC Universe’s version of Hawkeye, only I think maybe Green Arrow came first (and was twice as lame). I don’t know what’s been done with his character since the ’80s because it’s impossible to keep track of DC continuity, and reading a Wikipedia entry for even the most minor character is an exercise in brain-bending agony, but he apparently still shoots arrows instead of Uzis or magic bolts, which is comforting, I guess.

Anyway, the CW has released its first official still for Arrow, and…I don’t know, I think this might be an encouraging sign.

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The yellow Van Dyke is gone, anyway.

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What do you think?