Author Archives: Jeff Giles

About Jeff Giles

Jeff Giles is the founder and editor-in-chief of Popdose and Dadnabbit, as well as an entertainment writer whose work can be seen at Rotten Tomatoes, Paste Magazine, and a number of other sites.

Nickelodeon vs. Disney: Who’s the Family TV Champion?

It’s mid-March, which means everybody has gone bracket-mad, and you can’t throw a rock without hitting a website that’s running some sort of nutty WHO IS THE GREATEST OF ALL TIME face-off series. Not that I’m complaining, necessarily — pop culture cage matches are fun, and anyway, we’re going to get in on the action by helping out with this year’s KidVid Tournament. And sometimes these things are good for discussion, too. Case in point: The Hunt for America’s Finest Cable Channel, currently going on over at TV.com.

Over the weekend, the tournament arrived at the kiddie part of the dial and asked readers the all-important question: What’s the Best Children’s Network? Of course, this being one small part of a much larger contest, you only have two channels to choose from: Nickelodeon and the Disney Channel. Which made me wonder — how many of us are really choosing between those channels on a regular basis?

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I wonder not only because there are plenty of other options to choose from on the TV dial, but we have a lot of other choices in general — Netflix, Apple, and Amazon will give you whatever you’re in the mood for by the byte, and if you use those options in conjunction with programming stored on your DVR, then you may not even be aware which channels are responsible for your children’s favorite shows. Put another way: we sort of create our own channels at this point, don’t we?

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This isn’t an indictment of TV.com’s tournament, just an observation and a way of asking you for your thoughts. Do you have a Nick vs. Disney preference, or are you digitally sampling from the PBS/Hub/CN/Nick/Disney/whatever buffet?

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First Look at Disney’s “Lone Ranger” Reboot

"The Lone Ranger"

Walt Disney Pictures

Well, here you go, folks — Disney’s letting you officially lay your eyeballs on Armie “Lone Ranger” Hammer and Johnny “Tonto” Depp for the first time. The movie won’t be out until next May, so we’ll presumably see a lot more of these stills (along with three or four trailers), but in the meantime…what do you think?

Saturday Morning Graveyard: “Rickety Rocket”

We spend a fair amount of time around here talking about the state of kids’ culture (it’s even in our logo!

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), which means we also spend a fair amount of time grousing about the ways it could be better. But because we are sensible people, and because we lived through a time when things were, generally speaking, kind of worse, we feel duty-bound to occasionally sift through the wreckage of our misspent youth and point out just how far we’ve come. In that spirit, we present Saturday Morning Graveyard, which takes a quick, disbelieving look back at some of the poorly animated hooey we were given as impressionable kids.

Rickety Rocket (1979-80)

Presented as part of the generally dreadful Plastic Man Comedy/Adventure Show, Rickety Rocket was a sort of animated perfect storm. It’s lamentably true that, Sesame Street excepted, children’s television did a lamentably poor job of depicting cultural diversity during the ’70s and ’80s — but that’s partly because it did a bad job of depicting rational human behavior in general, which is why, when Ruby-Spears Productions decided to add a little color to its lineup, they came up with an appalling blend of Scooby-Doo, Sanford and Son, and The Jetsons. Observe:

On the one hand, you can applaud the show for sending the message that in the future, inner-city kids will have learned how to cobble together junk left behind by fleeing whites from their decaying neighborhoods and turn it into a sentient rocket. On the other hand, said rocket is a pile of junk with big lips, and the kids are minstrel caricatures.

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So, you know, kind of a wash.

Troubling subtext aside, Rickety Rocket was basically your standard “junior detective” cartoon of the ’70s, which is to say it involved the protagonists (who called themselves — wait for it — the Far-Out Detective Agency) putting their wits together to defeat bad guys who were just a little more dim-witted than the heroes. Because it took place in the future, Rocket included lots of exotic elements, such as aliens and monsters like Count Draculon — basically it was Scooby-Doo without the masks coming off at the end. And big lips.

Rickety Rocket is hard to watch for a number of reasons, but I think it’s important to point out that I don’t think there was anything intentionally racist about the show; for one thing, I don’t know the story behind its development well enough to make that kind of accusation, and more importantly, as I said before, the cartoons of the era generally subsisted on broad stereotypes and idiotic behavior no matter who they were depicting. Still, it’s a perfect example of the kind of lazy thinking and cruddy animation that typified the Saturday mornings of our youth.

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Makes Dora the Explorer look pretty outstanding, doesn’t it?