Author Archives: Jeff Giles

About Jeff Giles

Jeff Giles is the founder and editor-in-chief of Popdose and Dadnabbit, as well as an entertainment writer whose work can be seen at Rotten Tomatoes, Paste Magazine, and a number of other sites.

CD Review: Justin Roberts, “Jungle Gym”

If you’re already familiar with Justin Roberts and are just wondering if his latest release is as good as his others — or if you’re simply the kind of person who likes skipping to the “star rating” portion of the review — I’ll make things easy for you right up front: Roberts is awesome, and so is his new album, Jungle Gym. Pre-order it now.

Now I’ll get a little more in-depth as to just exactly why Justin Roberts is so awesome, and why, if you’re the type of parent who loves music and would like to pass that along to your kids, you need to add his music to your family playlist.

In pure songwriting terms, Roberts outclasses most of the “grown-up” artists I listen to on a daily basis. Like any other kids’ performer, he understands how to address youth-oriented themes, and he does it really well — more on that in a minute. But compositionally, Roberts is in a league of his own, both from a nuts-and-bolts music theory standpoint and from a kitchen-sink production/arrangements standpoint. He loads his songs with the kinds of smart changes that make dyed-in-the-wool pop fans smile, and he’s got a terrific secret weapon in his producer, Liam Davis, a guy who knows how to stuff Roberts’ tracks with everything from French horns to fat stacks of backing vocals without overwhelming Roberts (or the listener). Justin Roberts’ records are pure ear candy; if you could look in the dictionary under “music everyone in the family really, truly, honestly can enjoy,” you’d see a picture of his earnest smile. Continue reading

CD Review: Recess Monkey, “The Final Funktier”

The Final Funktier sounds like it should be the title of a Star Trek sequel starring Bootsy Collins, but it’s really the name of the latest opus from Recess Monkey, the Seattle-based kindie kingpins who have been breaking new ground for family music since releasing their 2005 debut. Each of the Monkey’s previous five releases were stuffed with thematic and stylistic adventures, from Aminal House to Tabby Road to last year’s Field Trip, but the band has outdone itself with The Final Funktier, which collects an impressive cast of special guests (including Tor Hyams, Chris Wiser of the Sugar Free Allstars, and members of the Gustafer Yellowgold family) for a space dance party. With lots of slap bass. Sounds awesome, doesn’t it? It is. Continue reading

CD Review: Various Artists, “Sing Me to Sleep: Indie Lullabies”

Like all parents of young children, I have learned to value/respect/crave the restorative properties of sleep in recent years, and along the way, I’ve come to develop a real fondness for lullaby albums. I never get tired of listening to them, or of watching them send my kids into a state of blessed unconsciousness, and so when I received an e-mail from American Laundromat Records asking me if I’d be interested in hearing a new compilation called Sing Me to Sleep: Indie Lullabies, I didn’t even have to look at the track listing before I said yes.

Happily, that track listing turns out to be pretty superb — and even better, the whole thing is being done to raise money for the Valerie Fund, a non-profit organization dedicated to providing health care for children with cancer and blood disorders. It isn’t often that a charity compilation is as excellent as the cause it supports, but Sing Me to Sleep is an unqualified pleasure — and the limited edition first pressing throws in seven bonus tracks, including the oddest, most soothing covers of “Kiss Off” (performed by Say Hi) and “Boys of Summer” (courtesy of Papercut) you’re likely to ever hear.

The album’s gorgeous, stately tone is set long before the bonus tracks, however — starting with Stars’ haunting version of the Smiths’ “Asleep” and continuing through appearances from Jenny Owen Youngs, the Real Tuesday Weld (who contribute a cover of “Little Boxes”), Dala (“Dream a Little Dream of Me”), O+S (“You and Your Sister”), Tanya Donelly (“Moon River”), and Trespassers William (“The Rainbow Connection”). Some songs are more successful than others, but this has more to do with an overall willingness to take chances (like, say, Casey Mecija’s creepy cover of “Dear Prudence”) than any real dips in quality. Put another way: If every song here doesn’t quite work as a lullaby for easily freaked little ones, it should still be thoroughly enjoyable for you. Just a beautifully mellow record, stacked high with lovely performances — perfect for a cloudy day, a quiet afternoon, or meals with friends or family. And 100 percent of the proceeds go to help children in need. What else could you ask for?

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