Author Archives: Jeff Giles

About Jeff Giles

Jeff Giles is the founder and editor-in-chief of Popdose and Dadnabbit, as well as an entertainment writer whose work can be seen at Rotten Tomatoes, Paste Magazine, and a number of other sites.

CD Review: Sarah Lee Guthrie & Family, “Go Waggaloo”

515k1LUvczL._SCLZZZZZZZ_[1]Sarah Lee Guthrie is Woody Guthrie’s granddaughter — and the youngest daughter of Arlo Guthrie, whose “Alice’s Restaurant” took satirical folk protest songs to a whole new level — so her first children’s CD, Go Waggaloo, carries a greater weight of expectation than most debuts. Then again, most artists don’t debut on Smithsonian Folkways, a label geared much more strongly toward the music of the past, but Guthrie’s music fits right in: Waggaloo adds a vibrant new thread to the tapestry of traditional American music, weaving together a seamless blend of original songs and Woody Guthrie covers to produce a lovely, yet wonderfully raw, hootenanny record for the whole family.

Go Waggaloo is credited to Sarah Lee Guthrie & Family, and the credits reflect that spirit: Songwriting credits are spread between Sarah, her husband Johnny Irion, and their daughter Olivia, and a whole passel of Guthries — plus family friends like Pete Seeger — show up on the recordings. The connections between the musicians — and from the musicians to the songs — translates into an album whose warmth is felt from the first sunny strains of the opening track, “Don’t I Fit in My Daddy’s Shoes?,” and lasts clear through to the final ringing chords of “Oni’s Ponies.” In between, you get a half hour of fun that includes the joyous title track, the startling morality tale “Oh How He Lied,” the lovely “Big Moon,” a transcendent group runthrough of the classic “She’ll Be Coming ‘Round the Mountain,” and much more. It feels less like an album than an accidental peek into a very talented family’s singalong, which fits right in with the Guthrie/Seeger musical mission statement: Singing is just as important as listening, and everything is more fun when we all join in. Continue reading

CD Review: Renee & Jeremy, “C’mon”

61I9u16d9eL._SCLZZZZZZZ_[1]Lullaby albums are like the Christmas records of the kids’ music world — they’re evergreen sellers that don’t really need to be great as long as they conform to a fairly narrow, easily reproduced aesthetic. But like Christmas albums, sometimes a lullaby record comes along that’s really special, and such was the case with Renee & Jeremy’s 2007 debut, It’s a Big World. A magical blend of hushed acoustic instrumentation and beautiful harmonies, It’s a Big World proved that not all children’s albums from pop music refugees are created equal; in fact, sometimes, they even surpass the artists’ “grown up” work.

Two years later, Renee & Jeremy have returned with C’mon, a markedly more uptempo collection that proves the duo isn’t only capable of soothing little ones to sleep. But don’t worry — these songs retain the peaceful warmth of It’s a Big World, thanks to comforting melodies and the soft embrace of Renee & Jeremy’s intertwined voices. It’s a more varied effort, but it doesn’t feel any less cohesive than the first; ballads like “Is It Really Any Wonder” blend seamlessly into peppier tracks like “Mama Papa Love,” and at just a shade over half an hour long, C’mon will reach the final notes of its closing track, “Rely,” long before you’re ready for the album to end. (The solution: hours on repeat.)

C’mon touches on familiar themes such as patience (“Right Now”), sharing (“Share”), and familial love (“Mama Papa Love”), but it does so with uncommon intelligence and grace. In a crowded kids’ music marketplace where hyperactive noise is often overpowering, Renee & Jeremy keep things simple, contemplative, and honest. This album will be a gift for you as much as it is for your children.

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Blu-ray Reviews: “Up” and “Monsters, Inc.”

51V+eipy8-L._SCLZZZZZZZ_How do you make the Blu-ray release of one of the best movies of the year even bigger? Bundle it with a disc and a half worth of bonus features, plus a DVD, plus a digital copy of the film.

Oh and if you’re Pixar, you do it on the same day you bring one of your earlier smash hits to Blu-ray — and attach just as much extra content to that release, too.

Since debuting with Toy Story in 1995, Pixar has defied expectations by not only cranking out smash hits while helping pioneer a brand new type of animation, but by opening up new vistas in the stuff that really matters — like, you know, storytelling. They’ve shown us what happens to our toys when we’re out of the room, peeked into the hidden lives of bugs and fish, proved that monsters are just as scared of kids as kids are of monsters, exposed the travails of former superheroes, let us hear cars talk, put a rat in the kitchen, and made us fall in love with a robot janitor. Every time they announce a new movie, the odds of it not living up to its predecessors grows — has a studio ever held a perfect batting average for this long? — so when it came out that Pixar’s 10th feature would follow the adventures of a grumpy old man who sails away in a house to which he’s tied thousands of helium-filled balloons, bets were high that Up would mark the spot where the house Buzz Lightyear built fell down.

How about that? With 98 percent at Rotten Tomatoes and almost $650 million in worldwide box office receipts, Up made it a perfect 10 for Pixar — and if you missed it in theaters, now’s your chance to bring it home in glorious high definition. Continue reading