Category Archives: Interviews

A Conversation with Trout Fishing in America

For more than three decades now, Keith Grimwood and Ezra Idlet — otherwise known as Trout Fishing in America — have entertained audiences of all ages with their artfully seasoned blend of roots rock, traditional folk, and anything else they decide to stuff in their musical grab bag. As longtime fans know, it’s a mixture that lends itself naturally to family music — the band has been releasing CDs for kids alongside their “regular” albums since the early ’90s.

With the release of the first Trout Fishing in America book/CD combo, My Name Is Chicken Joe, in 2009, Grimwood and Idlet seem to have started a whole new franchise for themselves. Chicken Joe, the farm-dwelling cat who sleeps in a henhouse, has returned with a new adventure: Chicken Joe Forgets Something Important, which bundles an album of brand new family tunes alongside another beautifully illustrated hardcover book. It’s a really lovely package, and to welcome Chicken Joe back to our shelves, we knew we had to talk to Keith and Ezra about the project.

Happy new release day! What kind of response are you seeing so far?

Keith: So far, it’s been fun. We just put out this little video thing that came out on YouTube and stuff, and it’s doing really well.

Ezra: The local station came out and filmed piece on us earlier this week — that was pretty nice, too.

Chicken Joe Forgets Something Important features more new songs than the last book, right?

Ezra: Absolutely. From beginning to end, the songs were written with the story in mind — and we also wrote the story by narrating and taking on different characters, which was a lot of fun. It was territory we had never explored before.

Keith: We’re working on doing it as a performance piece, where we read it by becoming the characters. As we read it, we play the music in the background, and we take on those characters. We’re going to be doing it as part of the kids’ show, which should be a lot of fun. Continue reading

A Conversation with Key Wilde

We’re big fans of Key Wilde and Mr. Clarke around here — I gave an enthusiastic thumbs up to their debut full-length, Rise and Shine, which has been in heavy rotation in our car for the last year and a half.

Key and Clarke are back with a new six-song EP, Hey Pepito!, which was all the excuse I needed to get Key on the phone for a conversation about their uniquely exuberant brand of children’s music. Read on — and then sample Pepito! via the widget at the bottom of the post.

First of all, I have to tell you that because of my son and his intense love of your music, I’ve had to hear “Rattling Can” at least once a week for over a year.

[Laughs] So you have just a little bit of resentment.

Not as much as I would if it happened with just about any other song.

Yeah! It could be worse. I’ve had parents tell me “Thank goodness I actually like this stuff, because otherwise, it would drive me crazy.”

One of the things I really love about your music is its vibrant, honest energy. Plenty of kids’ music is uptempo, but it often feels forced, or just hyper.

You know, I started in this field for two main reasons: One, I had a new daughter, and I wasn’t staying out until 2 AM anymore, and two, I just wanted to hear some cool kids’ music. People had already told us at different points in the past that we’d be good at making family music, and we realized that all we really had to do was take out the swear words and we were ready to go. Continue reading

A Conversation with Dan Storper of Putumayo

I’ve teased them in the past for their prolific release schedule, but the Putumayo Kids label does some of the most consistently impressive work on the kindie market — in an era when plenty of Americans can’t find New Jersey on a map, let alone Ecuador or Uganda, the Putumayo releases take listeners on effortlessly enjoyable global journeys. And while they’re edifying and entertaining, they’re also contributing to charities like Amnesty International, which is getting 50 cents from the sale of each copy of the latest Putumayo release, Kids World Party .

To celebrate the new album (out June 28) and find out more about the company, we scheduled time for a talk with Putumayo’s founder, Dan Storper. Here’s what we discussed.

I’d like to begin by talking about Putumayo and Putumayo Kids. What’s the company’s mission, especially as it relates to kids’ music?

Well, let me go back a little bit. I started the label as a result of a few happy accidents, one of which was walking into one of our retail stores back in ’91 and hearing some really trashy metal music that I didn’t think was appropriate. That led me to search out international music, and I found all of these great artists I’d never heard of, which I compiled into a tape for our stores. And on the day the tapes arrived, I got multiple calls from managers telling me that customers were flipping out over the music — to the extent that people couldn’t get their jobs done, because they were fielding so many questions about it.

Through a group I was a member of, called the Social Venture Network, I met the owner of Rhino Records, and it struck me that we were looking at an opportunity to create thematic collections of music from around the world. So I proposed the idea to them — we’d collect the songs, they’d do the licensing, manufacturing, and distribution. It started from that, and kind of evolved into something that really led me out of the rat race of the clothing business. Continue reading