Desert Island Discs with Randy Kaplan

If you had to go away for awhile and you could only take five of your favorite albums with you, which ones would you choose? Yes, we know it isn’t a fair question, but that hasn’t stopped us from asking music fans who happen to be recording artists in their own right. This edition of Desert Island Discs comes courtesy of Randy Kaplan, whose latest LP, Mr. Diddie Wah Diddie, is out now.

You’re not kidding me, this IS hard. I am cyclically obsessed with many different types of music, from blues to opera to Broadway to folk to jazz to classical to calypso to microtonal to ’80s pop… you name it. And I can easily pick at least ten essential recordings in each of those categories! But I’ll acquiesce and stick to five discs for my desert island sabbatical. Alas, I’ll have to live without some of my favorite music. Can I at least bring my guitar?

Blind Boy Fuller – Complete Recorded Works (6 Volumes)

Is this cheating? Kind of like asking a genie if my first wish could be for ten more wishes? In any event, these are all the recordings Blind Boy Fuller ever made. They span the years 1935-1940. Fuller was a master of Piedmont blues. That’s a finger-pickin’ style I love and work in. Fuller is one of my favorite singers, lyricists, musicians, and performers. I based several songs on my new CD (Mr. Diddie Wah Diddie) on Blind Boy Fuller’s songs. It’s hard to pass up Blind Blake (the King of Ragtime Guitar) and Robert Johnson (the King of the Delta Blues) but since I’m limiting myself to one blues recording I’m gonna go with this one… well, these six!

Anthology of American Folk Music

This mystical collection (six CDs) was originally compiled by Harry Smith from his collection of rare 78s. If you’re a fan of the folk revivalists of the 1960s (Bob Dylan in particular) you will be amazed by many of these songs. This here is the earliest source material recorded for most of the folk songs we know! In addition to the ballads, blues, country, and folk songs there are Cajun and gospel numbers along with some very strange instrumentals. Some of the performers are blues masters (Furry Lewis, Charlie Patton, Mississippi John Hurt) and some are country giants (The Carter Family, Clarence Ashley, Charlie Poole) but the vast majority of them are quite obscure. The haunting collection comes with an extensive booklet of amazing liner notes along with a reproduction of Harry Smith’s own original liner notes booklet which is more of a postmodern work of art and stockpile of arcane esoterica. These discs are more than an anthology. They’re a mythology.

Oklahoma!

I’ll have to insist on the original cast album from 1943. I can listen to this recording of the first collaboration between Richard Rodgers and Oscar Hammerstein II non-stop (I once did on a drive from Lawrence, Kansas to Los Angeles). Stephen Sondheim is my overall favorite Broadway composer/lyricist but he was mentored by Mr. Hammerstein and this is Oscar’s greatest achievement. I like the film version too, even though they changed some of the lyrics, judging them to be too edgy for mass consumption. Can you imagine that?! Alfred Drake, Joan Roberts, Lee Dixon, Howard da Silva, and the hilarious Celeste Holm are all part of this perfect cast. But, you say, why not listen to a later recording, one of much higher technical quality? Ha! I answer. Don’t you know by now that I prefer lo-fi and relatively ancient relics? Perhaps if any subsequent recording were half as good as this one… but none are. The original film cast comes closest.

Trojan Calypso Box Set

Another genie situation, this collection contains 50 songs on three CDs. Lord Kitchener is my absolute favorite calypsonian and a few of his gems are on offer here. Also making appearances are these great masters of the genre: Count Lasher, Lord Creator, Mighty Sparrow, Lord Invader, Ben Bowers, Baldhead Growler (can’t find this guy anywhere else), Mighty Dougla (or him for that matter), and many more. Talk about edgy lyrics; man, keep this with your push-down-and-turn medicine bottles. I hate to leave early masters like Lord Executor, Growling Tiger, and Lord Pretender at home but, overall, this box set will serve me well while I’m sequestered on that beach of sand. Most of the songs here are from my favorite calypso period, that kind of middle phase when that joyous sound evolved from the early more New Orleans jazzlike style and before the Soca trend made the lyrically intensive calypsos sound more like dance music. Man, this stuff is good.

Well, I haven’t chosen any concert music yet… or opera. Not to mention jazz or… the list goes on and on. I’m gonna have to go with something classy here, if not classical. What will it be? The symphonies of Brahms? The string quartets of Dvorak? Maybe an opera is in order. Yes. An opera. But what’ll it be? Don Giovanni? Don Carlos? La Fanciulla Del West? Ya know, I think I’ll leave Mozart, Verdi, and Puccini at home this time ’round and take The Barber of Seville by Gioachino Rossini. Yes, this opera buffa will serve me well while suntanning against my will; cracking open coconuts and chomping on tropical leaves will surely be easier to take with this record in tow. I’ll risk the ire of purists and choose the English National Opera version. I’ll just have to have faith that I’ll eventually get off the island and be reunited with all the musicianers I’ve had to forsake.

Stay-at-Home Dad? No Thanks

I have been unemployed since September 23rd, 2011.

buy lasix online buy lasix no prescription

I had a great 14-year run with a local media company here in Milwaukee, but even working in the online world didn’t save me from evaporating newspaper revenue.

I spent the first nine years in radio, then spent the last five in the online world. To spare you the details, I was a jack of all trades. I produced, read the news and sold for the radio station. In the online world I wrote, ran a website, project managed, and taught social media — plus shot/edited/produced video, among a million other things. I figured employers would drool at my versatility and hire me in an instant.

285 days have passed and I am still unemployed.

One fascinating development of this whole ordeal has been a rekindled passion for running.

buy avanafil online buy avanafil no prescription

 I have run every single day since I was let go. I needed something that would help re-affirm — to myself and to potential employers — that I could be determined, dedicated and driven. Losing my job was a punch to the gut; I knew it was coming, but it was still a shot to the ego. How have the past nine months been?

buy xifaxan online buy xifaxan no prescription

In a word, frustrating. But at the same time, eye-opening — just not in the way I had imagined.

You’ve heard the story plenty of times: Guy gets downsized and decides he wants to start his company and work from home. In the back of my mind, I had thought and hoped I would become that guy. I thought I would have been able to generate enough freelance work and be able to just work from home the for the rest of my life. I mean, that’s a dream for a lot of people, right? Who wouldn’t love to be their own boss and not have to commute every day? Lots of people.

But here’s what I learned: I don’t want to be a stay-at-home dad.

It’s not that I think that I’m not capable of doing it. If I had more economic freedom to spend 2-3 years making this a go, I would give it shot. But now is not the time. And here’s another thing: I want to get back to Corporate America. No, really — I do. I like putting on a shirt and tie. I like interacting with co-workers, even the ones that drive me crazy. That social interaction with live human beings is something I miss more than I ever thought I would.

It’s one thing to talk and interact with people via Twitter, Facebook or even the phone. At my old job, there was a steady balance of human interaction, in addition to social media interaction. But after nine months of social media conversations and limited human interaction, I know I want to get back to an office.

Summer Reading Recommendations from the Deedle Deedle Dees

Last week, we noticed a tweet from Lloyd Miller of the Deedle Deedle Dees saying he was compiling his list of summer reading recommendations. Naturally, we thought Dadnabbit would be the perfect place to run Lloyd’s list, and boy, were we right — what follows is a collection of wonderfully thought-provoking books that will enrich your summer and expand your (and your family’s) horizons. Summer is generally known as the season of literary junk food, and that’s fine if you’re into that sort of thing…but if you’re looking to really delve into some books this summer, start here. (And all book titles are linked to their Amazon pages, just in case you feel like ordering them RIGHT NOW.)


As the leader of the Deedle Deedle Dees, a band that devotes most of our family shows and albums to songs drawn from history and science, I feel compelled constantly to suggest books. Songs, the way I write them, can only give a taste of the great, complicated stories that inspired them and so a lot of extra exploration on the listener’s part is required if she or he truly is interested in grappling with things like the philosophy of nonviolence as articulated by Gandhi (check out our song “Ah Ahimsa”), racism (Our song “Bring ‘Em In” narrates a famous anecdote about Negro League Star Satchel Paige’s response to a slur), or neurology (The crude and gory early days of this field of the study are the basis for “Phineas Gage Has Something to Tell These People”).

The summer reading list I’m going to give you here has books for your kids to read by themselves, books you might want to read with your kids, and books for you to read on your own. Most of them are related to my musical projects for kids and adults in some way. These aren’t books that you or your kids should read if you’re trying to be up on current trends in literature or prepare for the next year in school. These are just some books that I think are worth some of your time.

Exiles in Eden

Exiles in Eden by Paul Reyes

I’ve recommended this book many times on my blog and elsewhere, but I bring it up again because now I’m writing a musical movie based on it with my friend Roy Nathanson. In September, he and the Jazz Passengers — with me playing a small guest vocalist role — will debut some songs from the project at the Stone, a club in Manhattan for which John Zorn serves as artistic director. Then, if we can raise the money, we’re actually going to make the movie and shop it around.

I’m currently re-reading this book as I work on the script and am again incredibly moved by it — and upset that more people haven’t read it. Exiles tells the story of the housing collapse in Florida with Paul’s family story as its through line. It’s easiest to say it’s literary nonfiction in the John McPhee mold but that doesn’t give you a real sense of just how mighty this book is. It almost reads like one long prose poem, one that clarifies the confusing mortgage crisis for people (like myself) who are in need of a remedial economics class, but simultaneously waxes large and profound on the ephemeral nature of human effort and our place in the ever-powerful and changing natural world.


Woody Guthrie: A Life by Joe Klein

This is the book Springsteen mentions on the live album before he plays “This Land is Your Land.” And this is the author who also gave us Primary Colors (a book I enjoyed at the time). It really is the best one-volume treatment of an icon whose life was long and full of contradictions. Necessary reading, I think, if you want to know more about the man who wrote all those songs you’ll hear on Keep Hoping Machine Running, the new digital Woody tribute album featuring the Dees and many other artists.


This Land is Your Land by Woody Guthrie, illustrated by Kathy Jakobsen

The complete original lyrics of the tune (including my favorite “no trespassing” verse) paired with cool paintings that depict the world Woody wandered in the 20s and 30s.


Little House series by Laura Ingalls Wilder

My family is slowly making our way through the Little House books, a series I never appreciated as a child but have really grown to admire as an adult. As a boy, I only wanted books about war and sports so a tale of frontier life focused primarily on girls was something I just dismissed without even trying to give it a fair read.

Now that I’m the father of a little girl who’s obsessed with how things work — and a little boy who’s obsessed with anything that hints at being dangerous — I find these stories to be among the few pieces of literature that everyone in my family actually enjoys. My wife read and loved them as a kid and is excited to read them again. I’m getting into all the minute descriptions of hog slaughtering, cheese making, and other farm tasks — they’re fascinating in and of themselves, but they’re also giving me ideas for another project in its very beginning stages: a collection of songs about work that may become a Dees album, themed show, or some multi-media hybrid.


Magic Tree House series by Mary Pope Osborne

Mary Pope Osborne’s historical fiction has been just as important for fueling my kids’ interest in stories from the past as Laura Ingalls Wilder’s memoirs, but the two series couldn’t possibly be more different. The Magic Tree House books have simple fantasy-mystery narratives adorned with the historical types of which kids never seem to tire: mummies, knights, Vikings, ninjas, etc. I was initially skeptical of these books and only brought them into their house as audiobooks to help my kids — who always seem to get a powerful second wind at bedtime — relax and fall asleep. Now, after these books have prompted not a few historical fact-finding missions for our family, I consider myself a big fan.


Tales from the Odyssey by Mary Pope Osborne

Myths have taken a prominent position in our household discussions after my wife and I created an original musical of the Aeneid with her second-grade class. Mary Pope Osborne retells Homer’s epic in a simple chapter book format. Right now we’re working on Book Three: Sirens and Sea Monsters.


D’Aulaires’ Book of Greek Myths by Ingri d’Aulaire and Edgar Parin d’Aulaire

Although the language may seem archaic to kids used to the conversational style of many new books , this is still the best version of the Greek myths for young readers. Plus, it’s got those awesome pictures (my son can’t get over the picture of Cronus with the babies in his belly) that many parents still remember in great detail from their own childhoods.


The Years of Lyndon Johnson by Robert Caro

I came late to this series. It’s been on my to-read list for many years but it wasn’t until I read the excerpt from the fourth book, The Passage of Power, in the New Yorker, an account of JFK”s assassination focused on LBJ’s experiences of the event, that I felt an intense need to read all the books immediately. I bought volumes 1-3 a couple of months ago and, after devoting a good amount of my life to Mr. Caro’s prose, am cruising through volume 3 (I’m going to pick it back up right after I finish writing this). These books live up to all the hype and then some.


Beautiful & Pointless: A Guide to Modern Poetry by David Orr

David, the poetry critic for the New York Times, is collaborating with me and Roy on another project that will debut at the Stone in September: a set of music and poetry and musings on both. We invited David to join us after reading his fantastic book on what poetry is and isn’t. The books is also about how poetry — an art form that many view as intimidating, confusing, and best left to high school English classes — can become part of one’s life as a reader and human being in simple and powerful ways.


Here’s a Little Poem: A Very First Book of Poetry, edited by Jane Yolen and Andrew Fusek Peters, illustrated by Polly Dunbar

Speaking of poetry, the last book I’d like to recommend your family check out this summer is this wonderful anthology our school librarians gave my daughter as a gift a few years ago. I’m not a big fan of “children’s poetry” in general so I was pleasantly surprised by this gathering of newer and classic verses curated by Jane Yolen and Andrew Fusek Peters that includes people who write specifically for children as well as people — like Gertrude Stein and Langston Hughes — who don’t.