Desert Island Discs with Lucky Diaz

If you had to go away for awhile and you could only take five of your favorite albums with you, which ones would you choose? Yes, we know it isn’t a fair question, but that hasn’t stopped us from asking music fans who happen to be recording artists in their own right. This edition of Desert Island Discs comes courtesy of Lucky Diaz, whose latest LP with the Family Jam Band, A Potluck, arrives May 8. You can preview the entire album right here at this link — after reading Lucky’s Desert Island picks, of course!

While this question is totally unfair…here is my feeble attempt at my desert island top five records:

The Beatles, Revolver

Let’s be honest, there’s no way to encapsulate the entire complexity of the Beatles in one album. But if one had to, I believe it would be this one. My daughter sings to “Yellow Submarine” the way I sang to “Good Day Sunshine” in the back seat of our family car. It’s been said “Here, There, Everywhere” is Paul’s favorite song he ever wrote. It’s certainly mine.

Miles Davis, Kind of Blue

Before I ever visited New York City, it came to me via this album. I was a sophomore in high school when my band teacher (a trumpet player) lent me this album to take home. I never returned it. I finally understood the concept of an instrumentalist “singing” through their instrument. I felt New York. I felt Miles. Kind of Blue makes sadness beautiful.

The B-52’s, Cosmic Thing

Admittedly, I came to the B-52’s via my brother, who blasted “Rock Lobster” from his bedroom. He was obsessed with Fred Schneider and Kate Pierson. I believe we were 12 or so when Cosmic Thing was released. I had never heard a party before. Not only that, they looked like they came from mid-century outer space! “Love Shack” is still one of my all time favorite songs. I mean, you CAN’T help but move when you listen to it. Tin Roof Rusted!!!

Nirvana, Nirvana Unplugged

I suppose it’s my age, but Nirvana was my coming of age band. They heralded the Seattle sound that shaped my first bands, my first written songs, and my voice. We all wanted to be Kurt Cobain or Eddie Vedder. Here was a guy that couldn’t really sing or play a guitar that well — and he sounded amazing. I didn’t really know Bob Dylan yet, so Kurt was my first experience with a message and emotion really delivering a song. But not until this album did I really see how beautiful Kurt’s songs are. I believe this is the best Nirvana record ever recorded. “Dumb” WITH a string section! Brilliant.

The Jimi Hendrix Experience, Are You Experienced

People are often surprised to discover I’m a pretty serious guitar player. I spent a great deal of my youth cutting heads in blues jams where I grew up. Our records don’t have a lot of guitars on them. I always think the song comes first and rarely, if ever, do my songs ask for some epic guitar solo. I can honestly say when I first heard this album I couldn’t believe it was real. To this day, I’m mesmerized by Jimi. He’s what Miles is to the trumpet. I hear his voice in his playing. I want to play like Jimi. I want to perform like Jimi. Beautiful madness captured on tape played backwards.

Not a bad list of influences, right? See how they all came together to form A Potluck — coming May 8 to a store near you — in the album teaser clip below. And don’t forget to preview the whole record at this link. Enjoy!

Adam Sandler Plans Inevitably Fart-Filled ‘Heroes for My Son’ Movie

Brad Meltzer is a solid writer and a really fascinating guy, and his nonfiction bestseller Heroes for My Son (followed more recently by Heroes for My Daughter) is a truly beautiful, heartfelt expression of a father’s deep love and boundless hope for his child. So it makes perfect Hollywood sense that there’s a movie adaptation in the works — and that Adam Sandler is producing it.

I don’t have any particular axe to grind with Sandler, although I suspect that’s because, in spite of my line of work, I’ve been able to avoid most of his worst films — I don’t think I’ve seen one since Spanglish, which I kind of liked, unlike most of the critics who wrote it up. But a movie hardly needs to be made from this book, and Sandler hardly seems like the guy to make it.

It isn’t that Heroes for My Son is a towering work of literary genius, and I’m not arguing that it’s without a certain measure of dewy-eyed New Age dippiness. But Meltzer wrote it from a place of tenderness, good humor, and unconditional love, and if there is a guy in Hollywood who can translate that to the screen without tipping into mawkishness, I don’t think it’s Sandler.

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Why does it matter? Because there aren’t enough movies about good relationships between fathers and sons — about the pride we feel for our children, the dreams we have for them, the endless, complicated struggle to show them how to be kind and strong and honest and true. I’m not sure what fart jokes, Rob Schneider cameos, and syrupy third acts have to do with any of that.

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Of course, all that stuff sells tickets, which is why Sandler has enough money to go around optioning movie rights to bestselling books, and I don’t begrudge him any of that. This is just another example of Hollywood doing what it does — I only wish they’d done it a little differently in this case.

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