Tag Archives: CD Review

CD Review: Sarah Lee Guthrie & Family, “Go Waggaloo”

515k1LUvczL._SCLZZZZZZZ_[1]Sarah Lee Guthrie is Woody Guthrie’s granddaughter — and the youngest daughter of Arlo Guthrie, whose “Alice’s Restaurant” took satirical folk protest songs to a whole new level — so her first children’s CD, Go Waggaloo, carries a greater weight of expectation than most debuts. Then again, most artists don’t debut on Smithsonian Folkways, a label geared much more strongly toward the music of the past, but Guthrie’s music fits right in: Waggaloo adds a vibrant new thread to the tapestry of traditional American music, weaving together a seamless blend of original songs and Woody Guthrie covers to produce a lovely, yet wonderfully raw, hootenanny record for the whole family.

Go Waggaloo is credited to Sarah Lee Guthrie & Family, and the credits reflect that spirit: Songwriting credits are spread between Sarah, her husband Johnny Irion, and their daughter Olivia, and a whole passel of Guthries — plus family friends like Pete Seeger — show up on the recordings. The connections between the musicians — and from the musicians to the songs — translates into an album whose warmth is felt from the first sunny strains of the opening track, “Don’t I Fit in My Daddy’s Shoes?,” and lasts clear through to the final ringing chords of “Oni’s Ponies.” In between, you get a half hour of fun that includes the joyous title track, the startling morality tale “Oh How He Lied,” the lovely “Big Moon,” a transcendent group runthrough of the classic “She’ll Be Coming ‘Round the Mountain,” and much more. It feels less like an album than an accidental peek into a very talented family’s singalong, which fits right in with the Guthrie/Seeger musical mission statement: Singing is just as important as listening, and everything is more fun when we all join in. Continue reading

CD Review: Renee & Jeremy, “C’mon”

61I9u16d9eL._SCLZZZZZZZ_[1]Lullaby albums are like the Christmas records of the kids’ music world — they’re evergreen sellers that don’t really need to be great as long as they conform to a fairly narrow, easily reproduced aesthetic. But like Christmas albums, sometimes a lullaby record comes along that’s really special, and such was the case with Renee & Jeremy’s 2007 debut, It’s a Big World. A magical blend of hushed acoustic instrumentation and beautiful harmonies, It’s a Big World proved that not all children’s albums from pop music refugees are created equal; in fact, sometimes, they even surpass the artists’ “grown up” work.

Two years later, Renee & Jeremy have returned with C’mon, a markedly more uptempo collection that proves the duo isn’t only capable of soothing little ones to sleep. But don’t worry — these songs retain the peaceful warmth of It’s a Big World, thanks to comforting melodies and the soft embrace of Renee & Jeremy’s intertwined voices. It’s a more varied effort, but it doesn’t feel any less cohesive than the first; ballads like “Is It Really Any Wonder” blend seamlessly into peppier tracks like “Mama Papa Love,” and at just a shade over half an hour long, C’mon will reach the final notes of its closing track, “Rely,” long before you’re ready for the album to end. (The solution: hours on repeat.)

C’mon touches on familiar themes such as patience (“Right Now”), sharing (“Share”), and familial love (“Mama Papa Love”), but it does so with uncommon intelligence and grace. In a crowded kids’ music marketplace where hyperactive noise is often overpowering, Renee & Jeremy keep things simple, contemplative, and honest. This album will be a gift for you as much as it is for your children.

Reblog this post [with Zemanta]

CD Review: Various Artists, “Putumayo Presents A Family Christmas”

616FLxA340L._SCLZZZZZZZ_[1]Putumayo’s countless compilations of mall-friendly world music would be eminently mockable even if the company hadn’t been sent up so memorably on Seinfeld, but you’ve got to hand it to them — these folks know how to put together a nifty mix CD. Their umpteenth holiday compilation, A Family Christmas, breaks the label’s strenuously pan-cultural stereotype, instead serving up a tasty souffle of high-quality yuletide music while still managing to stay eclectic enough to include the likes of Martin Sexton, Big Bad Voodoo Daddy, and Leon Redbone.

At 11 tracks and just over 33 minutes in length, A Family Christmas lasts just long enough to down a couple mugs of eggnog, or to string half the lights on your tree — or, really, to play for hours while you cook dinner, wrap presents, or enjoy family time. Only two of these tracks aren’t available anywhere else (Johnny Bregar’s lovely acoustic take on “Santa Claus Is Coming to Town” and the Brave Combo’s “Jolly Old St.

buy stromectol Canada buy stromectol no prescription no prescription

Nick”), but if you aren’t the type of person who’s likely to spend the money on, say, Leon Redbone’s Christmas Island — but still wouldn’t mind owning his delightfully droll take on “Let It Snow” — A Family Christmas is a decent value at $13.99. If you’ve already got a huge collection of holiday music, this isn’t anything you need to bother with, but if you’re looking for one Christmas album with enough breadth to please the whole family — and hold up to plenty of repeat plays — you can safely purchase A Family Christmas without reservations.