Tag Archives: CD Review

CD Review: The Hipwaders, “A Kindie Christmas”

61cBL5UbueL._SCLZZZZZZZ_[1]If you’re one of those people who breaks out in a cold sweat any time the words “Christmas music” are uttered before Thanksgiving, you’re probably not in any hurry to read about this holiday season’s new musical offerings — particularly of the kid-friendly variety — but you needn’t fear A Kindie Christmas, the 10-song yuletide collection from the Hipwaders: Santa puts in plenty of appearances, sure, but the band keeps the sleigh bells and fa-la-las to a minimum, and the whole thing plays essentially like just another new album from the band that gave you Educated Kid and Goodie Bag.

That might sound a little dismissive, but it isn’t: The Hipwaders are “kindie” in the best sense of the word, serving up a brand of family-oriented pop that has its jangly roots in the classic sound of artists like the dB’s and ’80s R.E.M. A Kindie Christmas is ten breezy tracks (just under 24 minutes in total) of hip holiday fun, from the Tex-Mex rumble of “Santa’s Train” to the sweetly melancholy tones of “Tinsel & Lights.” It thankfully lacks the obnoxious, over-caffeinated vibe that a lot of kids’ Christmas tunes have; instead of sounding like a shopping soundtrack, it’s got the warm, mostly mellow sound of a night at home around the fire, but with enough of a spark (particularly on the nifty “It’s Christmas”) to keep the kids dancing around the tree. Continue reading

CD Review: Leeny and Tamara, “Sharing the Same Stars”

61vn4de5ZLL._SCLZZZZZZZ_[1]If you remember Be Nice, the 2008 debut from Leeny and Steve, you’ll be interested to learn that Leeny has swapped partners — she’s now half of Leeny and Tamara — and undergone a huge sonic upgrade for the recently released Sharing the Same Stars.

Stars boasts some sharp production (and instrumental work) from Art Hays, who gives these songs a more layered, fleshed-out feel than their predecessors — and the songs themselves are a little more advanced, too: For example, instead of dealing with the effects of soiling one’s diaper (Be Nice‘s “Stinky Diaper”), we get a number about having to hold it long enough to get to a bathroom (the appropriately titled “Hold It”). Just a little more grown up, though; Be Nice hearkened back to the simple, homespun pleasures of the kids’ music of yesteryear, and Stars covers similar lyrical ground. Some children’s albums try to appeal to adults and pre-teens as strongly as younger kids, but Leeny and Tamara are pretty much all about the tykes. There’s nothing wrong with that, it’s just something you should know before you pop Sharing the Same Stars into the family CD player. Continue reading

Book/CD Review: “Sunday in Kyoto”

51NR43fS3yL._SCLZZZZZZZ_[1]You may never have heard of Gilles Vigneault, but he’s a cultural icon in Canada, particularly in Quebec, where his music so popular that one of his songs has replaced “Happy Birthday” as the birthday party anthem of choice. One of Vigneault’s fans is Roland Stringer, founder of publishing company The Secret Mountain; he’s referred to Vigneault as “French Canada’s Pete Seeger,” and now, he’s giving Vigneault a chance to raise his profile with American listeners — and readers — with Secret Mountain’s latest beautifully packaged book/CD combo, Sunday in Kyoto.

A collection of 14 Vigneault songs performed by Canadian singers including Patrick Watson, Thomas Hellman, Coral Egan, and Vigneault’s daughter Jessica, Kyoto highlights Gilles’ gentle whimsy; the title track, for instance, is about a Cajun musician who lives in Kyoto with his Japanese wife, where they lead jam sessions and perform for Buddhist monks (“Let me tell you about Yoshi / Fingers dancing on the harp / Has a pond of swimming carp / Just don’t say the word ‘sushi'”). Other songs continue in the same vein, from the sprightly “When the Danse Began” to the mock-operatic “Four Eggs” and effortlessly catchy “The Great Big Kite.” The arrangements are clean and jazzy, with charmingly silly vocal contributions from the singers, and the lyrics manage to be appropriate and educational while also avoiding your typical well-worn kids’ music subjects (one notable exception is “One, Two, Three, ABCD,” which will use copious amounts of Jew’s harp and lyrics about bovine peeing and farting to squeeze gales of laughter out of your children). Continue reading