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CD Review: The Rubinoos, “Biff-Boff-Boing!”

Here, power pop fans, is what They Might Be Giants hath wrought.

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The Rubinoos have been around for decades, making solid records to tons of critical acclaim and little in the way of sales — a situation not unlike the one TMBG found themselves in when they decided to make the jump to the kids’ market, a.k.a. “paydirt.” This is not to say the Rubinoos’ debut children’s CD, Biff-Boff-Boing!, is a crass, commercially oriented move — just that, like TMBG, the Rubinoos are so ideally suited to younger audiences that you can’t help but wonder why it took them so long to get here.

The Rubinoos have always occupied a spot on the more candy-coated end of the power pop spectrum, so they’re a more natural fit than, say, Cheap Trick; their music has never had much of an “adult” edge anyway. (This is, after all, the group that recorded “I Wanna Be Your Boyfriend.”) What this means for Biff-Boff-Boing! is that it doesn’t always feel appreciably different from anything else in the band’s catalog — and that’s a compliment. For instance, the opening track is a kazoo-and-children’s-choir-assisted cover of “Witch Doctor” that’s all kinds of awesome, because the band consists of seasoned professionals who both know how to play and have a deep understanding of this type of music. They aren’t playing it because it’s silly and they think that’s what kids will like; they’re playing it because this is what takes them back to their own childhoods, and it’s fun for them. It’s a crucial difference — it’s why Boing! includes covers of “Sugar Sugar,” “Peanut Butter,” and “Boris the Spider” (along with the more obscure but still terrific “Rockin’ in the Jungle”), and it’s why those covers are fun instead of obnoxious. These guys get it.

Of course, it isn’t like “it” is rocket science; that’s part of what makes so much children’s music such a drag — too many performers waste time pandering when all they need to do is play music that anyone can enjoy. They may throw in a few too many silly voices for your liking, but for the most part, “music anyone can enjoy” is exactly what the Rubinoos serve up here.

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If you’re a longtime fan of the band, Biff-Boff-Boing! is the perfect gateway for your little ones. Six months from now, play ’em the band’s first two ’70s records; for now, shake the car with a family dance to “Dumb It Down” and “You Can’t Roller Skate in a Buffalo Herd.”

CD Review: Rani Arbo and Daisy Mayhem, “Ranky Tanky”

I’ll get right to the point: I love this album. A lot. I’d never heard Rani Arbo and Daisy Mayhem before Ranky Tanky arrived in my mailbox, but they’ve made themselves a fan for life, and I’m seeking out their albums for grown-ups as soon as I finish writing this review.

You know what to expect as soon as you lay eyes on the brightly colored, hand-drawn look of the album cover, and when you flip open the CD, those first impressions are reinforced with a picture of the band riding on a trolley and wielding acoustic guitars, fiddles, ukuleles, and wide open smiles. A few inches to the right, and you’re looking at liner notes that include instrumental credits for bottles, jawharp, kalimba, kazoo, harmonium, and some truly weird stuff, like balloon and veggie baster. You get the picture, right? This here’s a back porch kindie jamboree.

Which is all well and good, but all the fingerpicking and fiddling in the world can’t cover up for crummy songs; happily, Rani Arbo and Daisy Mayhem have lined up a towering stack of venerable standards (such as “The Green Grass Grows All Around”) and clever covers (The Meters’ “They All Ask’d for You,” John Gorka’s “Branching Out,” Tom Petty’s “Wildflowers,” Renee & Jeremy’s “It’s a Big World”) to go with more obviously kid-friendly fare (“If You Want to Sing Out, Sing Out,” “Purple People Eater”). The arrangements are solid, the playing is impeccable, the production is clear and warm, and the vocals beam in like sunshine on a spring afternoon. What else can I say? I love this album, and I think you — and I guess more importantly, your kids — will love it too. But don’t just take my word for it — hear some samples here. (Then go buy the darn thing.)

CD Review: “Coal Train Railroad”

The idea of “jazz for kids” might seem as condescending, and as fraught with cheeseball peril, as “science for kids” or VeggieTales or anything else that’s supposed to dumb down supposedly adult material for little brains. And honestly, unless you’re trying to teach your kids about harmolodics, you can pretty much play jazz for your kids without worrying that they won’t be able to appreciate it. Chances are you don’t know your major sixths from your minor sevenths, but you can still appreciate Kind of Blue, right? Right.

Still, it’s hard to argue with anyone who wants to build a jazz gateway for kids, especially when they give it a name as clever as the Coal Train Railroad (say it out loud), or when they kick off the album by asking “what makes that coal train go?” Running the jazz (and jazz-ish) spectrum from jump blues to torch ballads, Coal Train Railroad puts singer Katy Bowser’s supple vocals in front of a crack combo and some smart, easy-to-digest arrangements. Think of it as sort of a jazzy audio equivalent of Bugsy Malone; when she slows down the tempo, Bowser croons like Linda Ronstadt on her Nelson Riddle records, but instead of looking for someone to watch over her, she’s looking for a nap.

It’s fun, well-made stuff. And if it mostly just leaves you wanting to listen to some Brubeck, Jobim, or Ella, then I suppose that’s sort of the point, right?

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