Tag Archives: Jeff Giles

CD Review: Ladysmith Black Mambazo, “Songs from a Zulu Farm”

Ladysmith Black Mambazo has one of the most unique sounds in modern music — and also one of the most malleable, as demonstrated by a run of recent projects that has seen their traditional isicathamiya vocals blended with electronic textures (Chillout Sessions), the English Chamber Orchestra (No Boundaries), and a wide array of pop-star special guests (Long Walk to Freedom). All of these releases have their charms, but there’s still nothing quite like the sound of the group’s voices in their purest form, and their new album, Songs from a Zulu Farm, is a fitting return to basics.

I say “fitting” because Songs from a Zulu Farm is a children’s album, at least nominally speaking; it’s a collection of traditional songs that Ladysmith’s members remember from their youth, and while they haven’t released a single album that wouldn’t be appropriate for kids — and while it’s extremely unlikely your children will be familiar with songs like “Imbongolo” or “Ntulube” — there’s an increased sense of the group’s trademark childlike joy in these songs that culminates with the playful closing track, “Old MacDonald Zulu Style.”

If your kids aren’t accustomed to hearing vocal music, or lyrics they can’t understand, they may approach Songs from a Zulu Farm warily. My daughter, for one, took awhile to warm up to it; at first, she just couldn’t get past the fact that she didn’t know what was happening in the songs.

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But she eventually came around, and that’s part of what kids’ music is all about — giving parents an opportunity to act as a gateway into new sounds for our children.

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All of what they hear doesn’t have to be — shouldn’t be — the stuff they’re accustomed to, and often, as with Songs from a Zulu Farm, expanding their horizons helps reinforce the beautiful universality of the language of music. It’s a journey we should all take more often.

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Visit Ladysmith Black Mambazo’s Facebook page to hear tracks from Zulu Farm, as well as watch videos (including the behind-the-scenes electronic press kit).

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Dadnabbit Gets Spared (and Spoiled)!

Hey, everybody! I was invited to pay a visit to Bill Childs’ marvelous Spare the Rock, Spoil the Child radio show, and now you can hear the results. Two hours of family-friendly fun, featuring tracks by some of my favorite “grown-up” artists (John Hiatt, De La Soul, John Lee Hooker) and plenty of Dadnabbit favorites, too (including songs from Dog on Fleas, the Flannery Brothers, Readeez, and many more).

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Listen to the show (2011-01-08) here!

Dadnabbit Interview: Michael Rachap of Readeez

If you’ve been reading Dadnabbit for any length of time, you know how much we love Readeez — and with the debut of Omneez, a new line of Readeez for your computer or mobile device, we decided now would be the perfect time to sit down for a chat with Michael Rachap, the voice of “Julian Waters” and the mind behind all that bite-sized educational goodness. Here’s a look back at where the series came from, where it’s headed, and more…

I think we should probably start by talking about Readeez.

One of my favorite topics!

What gave you the idea to take this approach to creating children’s media?

I wish I knew. There was an evolution. I’ll tell you the way it didn’t start — with me saying, “I’d like to teach children to read.” It actually had to do with one of my poems — I’ve been a musician all my life, but I hadn’t really recorded anything that was worth putting out there, so it started with words. “In the beginning, there was The Word.” (laughs)

I found a tape of myself playing music on a cable access show that my friend did, and I read a couple of poems and mentioned that I really love the way words look on the page — typography, you know, playing with the prosody, the form. I guess it really started from there — from visualizing poems. It didn’t take long to get from that to visualizing music.

Around ’99 or so, I walked away from my career in copywriting and went to the Berklee College of Music, and now this is what I do: I write and record songs. One of the things about Readeez is that they’re stealth delivery mechanisms for my songs — I’m a studio guy more than a live performer, and this is another way for me to get my music out there. Continue reading